1/28/2024 0 Comments How to write a musical scriptWhen Wright sent the script for Baby Driver out to actors, it included a thumb drive with the music attached. Of course, it helps if you get to direct your own film, but Wright has made it clear that the music of Baby Driver was instrumental since the writing process. Film has a certain rhythm and I try to bring that out in songs.” But unlike filmmakers such as Boyle and Martin Scorsese, who are directors first and foremost and can consider music in post-production, screenwriters have to be careful when soundtracking a script.īaby Driver is a masterclass for up-and-coming writers in the right way to use music in a screenplay. MTV was something new and different, and that is what I wanted to do. When Danny Boyle used to be told that his movies were too similar to music videos, he said, “I took it as a compliment. Plenty of movies have great soundtracks, but few filmmakers are able to bend music to their will as skilfully as Wright. But if there’s one element of Baby Driver that fundamentally separates it from your average action movie, it’s the music. It manages to be Wright’s most accessible film, without losing the visual style and sense of humor that brought him such a huge cult following. Raking in over $100 million worldwide at the box office, it’s safe to say that Baby Driver has become something that none of Edgar Wright’s other films ever really were: a legitimate hit.įrom an excellent cast, to the stunning action sequences, to a great marketing campaign, there are many reasons Baby Driver has found favor with audiences.
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